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Surrealism Basic AB.pdf
With Salvador Dalí as its figurehead, the great ship of Surrealism traversed the turbulent seas of the early 20th century with sails billowing with dreams and desires. Inspired by the psychoanalytical practice of Sigmund Freud, the Surrealists championed the unconscious as the domain of truth, uninhibited by the standards or expectations of society.
With techniques ranging from hypnotism to nocturnal walks to automatic writing, the likes of André Breton, Max Ernst, Brassaï, and Meret Oppenheim produced paintings, drawings, texts, and films in which they sought to excavate their most intimate and primal instincts. The results abound with sexual fantasies, with mysterious, menacing creatures, and with the juxtaposition of seemingly contradictory objects or ideas.
This book introduces the origins and the sensational legacy of the Surrealist movement, one of the most profound and enduring influences on film, theater, literature, art, and thought.
Featured artists: Hans Arp, André Breton, Giorgio de Chirico, Salvador Dalí, Max Ernst, Alberto Giacometti, Paul Klee, René Magritte, André Masson, Matta, Joan Miró, Pablo Picasso, Meret Oppenheim, Yves Tanguy.
With a focus originally on literary work and politics, it was quickly embraced by visual artists and is most known for the work ...
Surrealism aimed to revolutionise human experience, rejecting a rational vision of life in favour of one that asserted the value of the unconscious and dreams. The movement's poets and artists found magic and strange beauty in the unexpected and the uncanny, the disregarded and the unconventional.
At its basic, the imagery is outlandish, perplexing, and even uncanny, as it is meant to jolt the viewer out of their comforting assumptions.
The name was first used in 1917. Guillaume Apollinaire wrote the program notes for the ballet Parade, which was created for the Ballets Russes of Serge Diaghilev.