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TASCHEN 25 – Special edition!The chronicler of the Belle EpoqueHenri de Toulouse-Lautrec (1864–1901), scion of an ancient aristocratic family, was a crippled dwarf. His family’s wealth gave him financial security, and he chose to become an artist. In Paris he was drawn to the world of the red-light district around Montmartre. In the cafés, cabarets, dance halls and brothels he observed “the theatre of life”, viewing this world not from the moralising standpoint of the 19th-century bourgeoisie, but with the eyes of one for whom all inhibitions had long since vanished.Lautrec recorded what he saw without the arrogance of a social superior, but also without “spurious pity – like a reporter with a “photographic paintbrush”. He transferred his observations to paper and canvas with sensitive understanding and a sharp eye, creating the real atmosphere and live character studies of a world where middle-class morals do not count, in which elegance and baseness mix, as do the ingenuous and the sinful. Lautrec had the gift of painting life as it is. No one else has captured the entertainment world of the belle époque in so unadulterated, so masterful and so timelessly true a manner as did Lautrec in his paintings, lithographs and posters.This monograph sets out to examine the close relations between Lautrec’s work and life. It thereby offers the reader a lively impression of Lautrec’s art, and at the same time provides an understanding of his private life and of the magnificent Paris of the belle époque.About the editor: Ingo F. Walther (1940-2007) was born in Berlin and studied medieval studies, literature, and art history in Frankfurt am Main and Munich. He has published numerous books on the art of the Middle Ages and of the 19th and 20th centuries. Walther’s many titles for TASCHEN include Picasso, Art of the 20th Century, and Codices Illustres.About the author: Gilles Néret (1933–2005) was an art historian, journalist, writer and curator. He founded the SEIBU museum and the Wildenstein gallery in Tokyo, directed art reviews, and received the Elie Faure Prize in 1981. His TASCHEN titles include Salvador Dalí – The Paintings, Matisse, and Erotica Universalis.
Follow Jeremy, Richard, and James, as they embark on an adventure across the globe, driving new and exciting automobiles from manufacturers all over the world.
The Grand Tour is a British motoring television series, created by Jeremy Clarkson, Richard Hammond, James May, and Andy Wilman, made for Amazon exclusively for its online streaming service Amazon Prime Video, and premiered on 18 November 2016. The programme was conceived in the wake of the departure of Clarkson, Hammond, May and Wilman from the BBC series Top Gear, and originally contracted ...
The Grand Tour was the 17th- and 18th-century custom of a traditional trip through Europe undertaken by upper-class young European men of sufficient means and rank (typically accompanied by a chaperone, such as a family member) when they had come of age (about 21 years old)..
The custom — which flourished from about 1660 until the advent of large-scale rail transport in the 1840s and was ...
The Grand Tour tent is once again in Loch Ness, Scotland after a monster discovery since the last show. This week, the hosts tour central Europe in a Jaguar F-Pace, a Bentley Bentayga and a Range Rover Autobiography, arguing over which is the best SUV and trying not to giggle at road signs.
The Grand Tour tent is in Kakslauttanen, Finland, deep within the Arctic Circle with a show in which Richard Hammond and Jeremy Clarkson compare the Ford Mustang V8 and the Ford Focus RS, James May recounts the bitter 1960s battle for endurance racing supremacy between Ferrari and Ford, and the presenters run through some ideal Christmas gifts for car fans.
Paris, France was the most popular stop of the Grand Tour for its cultural, architectural, and political influence.